Erkunde Leinwand 77, Kunst Renaissance und noch mehr!

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Frans Hals: Balthasar Coymans Entstanden: 1645 National Gallery of Art, Washington, D. C. Leinwand, 77 x 64 cm

Frans Hals: Balthasar Coymans Entstanden: 1645 National Gallery of Art, Washington, D. C. Leinwand, 77 x 64 cm

Jan Vermeer: Schlafendes Mädchen Entstanden: um 1650/60 Metropolitan Museum of Art, New York Leinwand, 88 X 77 cm  Wie soll man dieses Bild einordnen - ein Interieur? Ein Stillleben? Eine Studie der Ornamente von Perserteppichen? Henri Matisse fände bestimmt Gefallen an diesem Gemälde.

Jan Vermeer: Schlafendes Mädchen Entstanden: um 1650/60 Metropolitan Museum of Art, New York Leinwand, 88 X 77 cm Wie soll man dieses Bild einordnen - ein Interieur? Ein Stillleben? Eine Studie der Ornamente von Perserteppichen? Henri Matisse fände bestimmt Gefallen an diesem Gemälde.

Giovanni Battista Moroni (Italian c. 1520/1524–1579) [Renaissance, Mannerism, Portrait] Portrait of Ercole Tasso, called "Titian's Schoolmaster", ca. 1575. Widener Collection, National Gallery of Art, Washington, DC.

Giovanni Battista Moroni (Italian c. 1520/1524–1579) [Renaissance, Mannerism, Portrait] Portrait of Ercole Tasso, called "Titian's Schoolmaster", ca. 1575. Widener Collection, National Gallery of Art, Washington, DC.

Gustave Courbet  Portrait of Zélie Courbet

Gustave Courbet Portrait of Zélie Courbet

El Greco (Domenikos Theotokopoulos) (Greek,  1540/41–1614). Cardinal Fernando Niño de Guevara (1541–1609) (detail), ca. 1600–1604. The Metropolitan Museum of Art New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.5)

El Greco (Domenikos Theotokopoulos) (Greek, 1540/41–1614). Cardinal Fernando Niño de Guevara (1541–1609) (detail), ca. 1600–1604. The Metropolitan Museum of Art New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.5)

William Hogarth (English, Smithfield 1697–1764 London). The Wedding of Stephen Beckingham and Mary Cox, 1729. The Metropolitan Museum of Art, New York. Marquand Fund, 1936 (36.111) #wedding

William Hogarth (English, Smithfield 1697–1764 London). The Wedding of Stephen Beckingham and Mary Cox, 1729. The Metropolitan Museum of Art, New York. Marquand Fund, 1936 (36.111) #wedding

Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio or the Golden Mean), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".

Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio or the Golden Mean), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".

Study Head of a Woman  Jean Baptiste Greuze  (French, Tournus 1725–1805 Paris)  Date: ca. 1780 Medium: Oil on wood Dimensions: 18 1/2 x 16 in. (47 x 40.6 cm) Classification: Paintings Credit Line: Purchase, 1871 Accession Number: 71.91

Study Head of a Woman Jean Baptiste Greuze (French, Tournus 1725–1805 Paris) Date: ca. 1780 Medium: Oil on wood Dimensions: 18 1/2 x 16 in. (47 x 40.6 cm) Classification: Paintings Credit Line: Purchase, 1871 Accession Number: 71.91

Portrait of a Woman, probably a Member of the Van Beresteyn Family Rembrandt (Rembrandt van Rijn)  (Dutch, Leiden 1606–1669 Amsterdam)

Portrait of a Woman, probably a Member of the Van Beresteyn Family Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Metropolitan Museum of Art - Young Woman Drawing  At one time ascribed to Jacques-Louis David, this engaging image has now been recognized as the work of Marie-Denise Villers. Although little known today, Villers was a gifted pupil of Girodet and exhibited in the salons, where her portraits attracted attention. This canvas, which was exhibited in the 1801 Salon, may be a self-portrait.

The Metropolitan Museum of Art - Young Woman Drawing At one time ascribed to Jacques-Louis David, this engaging image has now been recognized as the work of Marie-Denise Villers. Although little known today, Villers was a gifted pupil of Girodet and exhibited in the salons, where her portraits attracted attention. This canvas, which was exhibited in the 1801 Salon, may be a self-portrait.

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