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Man putting on his shirt von John Koch

Man putting on his shirt von John Koch

lucian freud.  self portrait.

lucian freud. self portrait.

It’s in this period that Freud’s brushstrokes become increasingly forceful, and the volume of paint on the canvas increases, so that it seems to almost shape the contours of skin or hair . In the portrait of the artist Frank Auerbach, his powerful forehead dominates the canvas. The two men had been friends since the mid-1950s, were great admirers of each other’s work and saw each other frequently. It was at the time he made this portrait that Freud began to use Cremnitz white, a dry…

It’s in this period that Freud’s brushstrokes become increasingly forceful, and the volume of paint on the canvas increases, so that it seems to almost shape the contours of skin or hair . In the portrait of the artist Frank Auerbach, his powerful forehead dominates the canvas. The two men had been friends since the mid-1950s, were great admirers of each other’s work and saw each other frequently. It was at the time he made this portrait that Freud began to use Cremnitz white, a dry…

Room in New York, detail, 1932. EDWARD HOPPER Sheldon Art Gallery, Sheldon

Room in New York, detail, 1932. EDWARD HOPPER Sheldon Art Gallery, Sheldon

Illustration by Edward Hopper (American 1882-1967)

Illustration by Edward Hopper (American 1882-1967)

Red Haired Man with Glasses, 1987-88 (oil on canvas)Lucian Freud

Red Haired Man with Glasses, 1987-88 (oil on canvas)Lucian Freud

Conversation, by John Koch (American, 1909 – 1978)

Conversation, by John Koch (American, 1909 – 1978)

Lilies - Samuel John Peploe

Lilies - Samuel John Peploe

Lucian Freud - Portrait of John Deakin, 1963-64

Lucian Freud - Portrait of John Deakin, 1963-64

samuel john peploe - Scottish Colourists

samuel john peploe - Scottish Colourists

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