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Henri Cartier Bresson The seat is only empty because the person left us! Ohh what a life we missed...

Wie sehr Bresson vom Surrealismus beeinflusst war, sieht man an dieser 1933 in Livorno entstandenen Fotografie eines Zeitungslesers

James Lord in the Salon of his Parisian... by Henri Cartier-Bresson

TBD: Objective- Students will use makeup effects and lighting kits to capture portraits of friends or classmates. Example- by kay ruhe

Henri Cartier-Bresson // Paris. 1964. Falling Snow - Boy in the Window, 1952SilbergelantineabzugSigniert verso

Man reading newspaper to grizzly bear. Henri Cartier-Bresson. France. Nord. Lille. Bois de Boulogne, 1976. In 1931, Cartier-Bresson began to use a camera and to make photographs that reveal the influence of both Cubism and Surrealism—bold, flat planes, collage-like compositions, and spatial ambiguity—as well as an affinity for society’s outcasts and the back alleys where they lived and worked. Homme lisant le journal de l'ours grizzli. Henri Cartier-Bresson. France. Nord.

New York 1950s W. Eugene Smith | bird perspective | taxi | arrival | NYC | working | city | gentleman

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