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Erkunde Offsetlithografie, Mädchen 2007 und noch mehr!

Bazon Brock, Bernhard Jäger, Thomas Bayerle, Bloom-Zeitung, 1963. offset lithograph, 57.2 x 75 cm, National Gallery of Art, Washington.

les jours de cette société est compté // rirkrit tiravanija

Fluxus, cc V TRE, January 1964, offset lithograph, closed: 57.8 x 43.2 cm, ) framed: 96.84 x 63.82 x 5.08 cm, Collection Walker Art Center, Minneapolis. Acquired with Walker Art Center library funds; transfer to Walker Art Center permanent collection, 1990.

Robert Gober, Untitled (from 'Parkett,' no. 27, special edition, 1991), 1991, photolithograph, hand-painted with coffee, 22 1/8 x 13 7/8 in (56.2 x 35.2 cm), National Gallery of Art, Washington, Gift of the Collectors Committee, 2010, © Robert Gober, Courtesy Matthew Marks Gallery.

Laurie Anderson, New York Times, Horizontal/China Times, Vertical, 1976 (first conceived 1971), woven newspaper, 57.5 x 36.8 cm, framed: 83.82 x 60.33 x 5.4 cm, Los Angeles County Museum of Art, Ralph M. Parsons Fund , Laurie Anderson, Digital Image © 2009 Museum Associates / LACMA / Art Resource, NY.

Yves Klein, Dimanche – Le journal d'un seul jour (Sunday – The newspaper for a single day), November 27, 1960, newsprint, 55.9 x 38.1 cm, National Gallery of Art, Washington, Donald and Nancy de Laski Fund, 2010.

Marine Hugonnier, French, born 1969. Art for Modern Architecture (Homage to Ellsworth Kelly). 2007. One from a series of six. Cut-and-pasted paper on newspaper, each 36.8 x 29.8 cm. The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2011 Marine Hugonnier.

Andy Warhol, Study for Flash – November 22, 1963 portfolio cover, 1968, silkscreen ink on paperboard, 104.1 x 60.6 cm, framed: 121.6 x 77.95 cm, Courtesy Gagosian Gallery, © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York. Courtesy Gagosian