Expresionismo alemán

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George Grosz: The Pillars of Society (1926). Berlin Spree, Art Dégénéré, Dadaism Art, Art Quotidien, Art Actuel, New Objectivity, Fauvism
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George Grosz: The Pillars of Society (1926).
Max Beckmann - "Carnival" Museum Art Gallery, Tate Gallery, Harlem Renaissance, Max Oppenheimer, Antoine Bourdelle, Carl Friedrich
‘Carnival‘, Max Beckmann, 1920 | Tate
Max Beckmann - "Carnival"
Max Beckmann 'Rugby' Alexandre Calder, Rugby Art, Karl Schmidt Rottluff
Max Beckmann 'Rugby'
Germany. New Objectivity. The Pillars of Society, 1926 // by George Grosz
Great Masters of illustration: George Grosz
Germany. New Objectivity. The Pillars of Society, 1926 // by George Grosz
Max Beckmann | The Trapeze, 1923
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Max Beckmann | The Trapeze, 1923
Ernst Ludwig Kirchner (c. 1920) Davos, Franz Marc, Matisse, Life Drawing, Painting & Drawing, Artist Painting, Brücke Museum
Ernst Ludwig Kirchner (c. 1920)
Max Ernst Max Ernst, Vaporwave, Collages, Dada Movement, Francis Picabia, Rene Magritte, Art Database, Paul Klee, Cubism
an itinerant poet
Max Ernst
Max Ernst Collage Art, Illustration Art, Illustrations, Arte Horror, Manga Comics
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Max Ernst
1934 Otto Dix - The 7 deadly sins - This allegorical painting representing the political situation in Germany at the time, was created immediately after the Nazis had Dix removed from his teaching position at the Dresden Art Academy. The figure of Envy, who rides the back of Avarice, wears a mask of Adolf Hitler. As a matter of precaution, Dix did not paint in the Hitler mustache until after the war. Figurative Kunst, Art Classique, Political Art, Seven Deadly Sins, Art Abstrait, Art Moderne, Art Movement, Art History
1934 Otto Dix - The 7 deadly sins - This allegorical painting representing the political situation in Germany at the time, was created immediately after the Nazis had Dix removed from his teaching position at the Dresden Art Academy. The figure of Envy, who rides the back of Avarice, wears a mask of Adolf Hitler. As a matter of precaution, Dix did not paint in the Hitler mustache until after the war.
Dr Mayer-Hermann -by Otto Dix    Dr. Mayer–Hermann was a renowned throat specialist whose waiting room was filled with  prominent singers and actresses. Dix was among his patients. While Dix is best known for his unflinching, audacious depictions of prostitutes, crippled war veterans, and other traumatized subjects, here he depicts a member of the professional class with wit and satire. Illustration
The Collection | MoMA
Dr Mayer-Hermann -by Otto Dix Dr. Mayer–Hermann was a renowned throat specialist whose waiting room was filled with prominent singers and actresses. Dix was among his patients. While Dix is best known for his unflinching, audacious depictions of prostitutes, crippled war veterans, and other traumatized subjects, here he depicts a member of the professional class with wit and satire.
Otto Dix Tableaux Vivants, Photo Portrait, Art Graphique, Gera
Otto Dix
Otto DIX :: Self-Portrait as a prisoner of war Art Ww1, Detroit Institute Of Arts, Digital Museum, Otto Dix, Prisoners Of War
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Otto DIX :: Self-Portrait as a prisoner of war
GEORGE GROSZ. La representación de la ciudad como un caos le une a la estética del movimiento expresionista. Su estilo, ácido y desgarrado, conjuga elementos del futurismo, el constructivismo y el dadaísmo. Kandinsky, Norman Rockwell, Art Criticism, Art Ancien
GEORGE GROSZ. La representación de la ciudad como un caos le une a la estética del movimiento expresionista. Su estilo, ácido y desgarrado, conjuga elementos del futurismo, el constructivismo y el dadaísmo.
1927 #Metropolis #FritzLang #UFA #Expresionismo #Alemania Metropolis Fritz Lang, Metropolis Poster, Metropolis 1927, Movie Poster Art, Movie Posters Vintage, Vintage Movies, Film Muet, Cinema Film
1927 #Metropolis #FritzLang #UFA #Expresionismo #Alemania