Olga Commandeur works intuitively- with her ‘inner eye’. Her early work was severe, flat and formally restrained. At the moment her work shows more movement. There are similarities with marine life or individual parts of the body of sea creatures. The translucency of the white, unglazed porcelain is an approximation to the transparent bodies of these small creatures. Yet is is the artist’s desire to create something abstract, and not something distinctly animal.