On Art and Space: Mono-ha

On Art and Space: Mono-ha

On Art and Space: Mono-ha

On Art and Space: Mono-ha

Nobuo Sekine has been recreating his Phase — Mother Earth (1968) at Den’en Chofu Seseragi Park in West Tokyo.    Created in October 1968 in the Suma Rikyu Park in Kobe, and consisting of a 2.2 x 2.7m cylindrical hole in the ground and an adjacent cylinder of earth of the same dimensions, this piece is one of the signature works of the Mono-ha movement of the late 1960s and early ‘70s.

Nobuo Sekine has been recreating his Phase — Mother Earth (1968) at Den’en Chofu Seseragi Park in West Tokyo. Created in October 1968 in the Suma Rikyu Park in Kobe, and consisting of a 2.2 x 2.7m cylindrical hole in the ground and an adjacent cylinder of earth of the same dimensions, this piece is one of the signature works of the Mono-ha movement of the late 1960s and early ‘70s.

On Art and Space: Mono-ha

On Art and Space: Mono-ha

Susumu Koshimizu / Crack the stone in August ’70, 1970

Susumu Koshimizu / Crack the stone in August ’70, 1970

Requiem for the sun: The art of Mono-ha | StyleZeitgeist Magazine

Requiem for the sun: The art of Mono-ha | StyleZeitgeist Magazine

Requiem for the sun: The art of Mono-ha | StyleZeitgeist Magazine

Requiem for the sun: The art of Mono-ha | StyleZeitgeist Magazine

Sumi by Kastsuhiko Narita

Sumi by Kastsuhiko Narita

Koji Enokura

Koji Enokura

Susumu Koshimizu  Paper (formerly Paper 2), 1969/2012  Paper (hempen paper), granite

Susumu Koshimizu Paper (formerly Paper 2), 1969/2012 Paper (hempen paper), granite

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