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The eternal Jew, 1938.

The Eternal Jew: The Nazi goverment sponsored the film industry in Germany to churn out propaganda films along approved party lines. ‘Der ewige Jude’ was produced in 1940, supposedly a documentary film ‘explaining’ the worldwide Jewish conspiracy and how the German master race under Hitler could help defeat the threat to civilisation. Jews were blamed for the depression, for inflation, for unemployment and for the war.

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Der ewige Jude ("The Eternal Jew") is the most famous Nazi propaganda film. It was produced at the insistence of Joseph Goebbels, under such active supervision that it is effectively his work. It depicts the Jews of Poland as corrupt, filthy, lazy, ugly, and perverse: they are an alien people which have taken over the world through their control of banking and commerce, yet which still live like animals

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The film Der ewige Jude opened on November 29th, 1940 throughout the German Reich. Each city where the film played had it's own posters. In the Altenkirchen district of Betzdorf, the film was described as a "documentary film about world Jewry". "It is unique because it is no fantasy, but undiluted reality."

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The "Eternal Jew" or the "Wandering Jew" One of many varied posters for the film Der ewige Jude opened on Nov 29th, 1940 throughout the German Reich. Each city where the film played had it's own posters. In the Altenkirchen district of Betzdorf, the film was described as a "documentary film about world Jewry". The Nazi goal is to be the first film to portray a fully exposed picture of world Jewry, and to be a "valuable tool in the struggle to break the power of the Jews over the Aryan race."

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Germany, A poster for "The Eternal Jew", a documentary film on the world Jewry and used to show German people why the Jews must be eliminated

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At Der ewige Jude (The Eternal Jew), a Nazi anti-Jewish propaganda exhibition, a case features typical Jewish external features. Munich, Germany, November 1937.

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The Eternal Jew exhibition first opened in the Library of the German Museum in Munich on November 8, 1937, and ended on January 31, 1938. Billed as a degenerate-art exhibition, it was the largest prewar anti-Semitic exhibit thus far produced by the Nazi's. The exhibit featured photographs pointing out the typically "Jewish" features of political figures, such as Leon Trotsky, and international film star Charlie Chaplin.

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